due to vaughn oliver having to pull out of digital scarborough today due to family illness, i’ve been asked if i could fill in. so with a head full of cognitive mapping due to CHART Scarborough, i’ll be delivering a talk on the theory behind the project and our research and progress so far. i’ll also have the very latest version of the map which is still in progress. 4.30pm at westwood school of arts (yorkshire coast college, next to tesco).
CHART Scarborough is one of the big projects were currently working on. the main focus is a map of scarborough based around cognitive mapping theory aka legible cities thinking, that has the intention of encouraging people to navigate the town via cultural destinations. to raise awareness prior to the launch and to encourage some wider participation in the project there’ll be a series of ‘interventions’ around the town over the next few weeks.
some are pretty straight forward like the sign above that went up outside the library yesterday, some will be more situationist guerilla art. i’m not saying any more about those… if you’re in scarborough you’ll hopefully discover one by chance. there’ll also be a week-long competition in the local newspaper.
the library sign is the first time – if you discount the progress reports on www.chartscarborough.com – that an section of the map has been seen in public. this is still a work in progress and there’ll be some changes to this after a couple more community workshops and feedback from the interventions, but it will give you a good idea of what it’s going to look like. the map will be packaged as part of a leaflet in which we intend to break away from the traditional imagery found on publications promoting this part of the world – ‘map as art object’ is one of the phrases from the original brief…
last night was the first public exhibition of work by the students on the schools creative and media higher diploma in the north yorks coast area and mighty impressive it was too. we’ve been in touch with the diploma since a creative coast event in 2008 which introduced the idea to the local creative sector. i’ve since been invited to be an ‘business champion’ which involves offering a working world perspective to the diploma and helping connect local creatives with the course so students meet practitioners and get a glimpse of what a career in the creative industries might be like. rachel and i spent an hour with them at the start of the year showing them our work on the railway art project.
the diploma was described in a nutshell on the exhibition guide as…
“…designed to teach young people how to work creatively; they work in groups and alone on a series of activities that will give them a good overview of the different things you can do in the creative industries. the diploma is not one subject; the students combine work in six of the following disciplines across the two years: photography, interactive media, film, television, music, drama, graphic design, 2D art, 2D art, animation, creative writing, radio and audio…”
i wish we’d had this opportunity when i was at school. last nights work was response to a brief to record the ‘distinctive atmosphere of scarborough sea front’. these students are year 10 (14-15 year olds) and the quality of work was excellent. here are some that particularly caught my eye.
the image at the top is of megan jepson’s ’scarborough/castle’ in which photos of the seafront are pasted on a foamboard model of scarborough castle. megan did a work work placement with us a few weeks ago so we had an idea of what her piece would be although i’m told the final construction happened rather close to the exhibition opening – we’ve all been there. it really exceeded my expectations – the scale (which doesn’t really come across on my photo) and use of colour were spot on.
the use of text in this oil painting by shannon barker reminded me of ‘we two boys together clinging’ by david hockney. creatively integrating text with drawings and paintings was a theme in several pieces.
and i was really taken with scott asquith’s ‘rolling’ in which a ball rolled and bounced the length of the sea front. it was inventive, nicely edited and great fun. a brilliant piece of work.
it’s a little unfair to single just a few out as all the students deserve to be proud of their work. congratulations too to spencer, their tutor. the only blight of the evening was that we didn’t get a better turn-out from local creatives who had been invited to come take a look and offer support to the coast’s next generation of creatives. obviously i’ve got my work cut out in this role.
ah, just a typical day in the studio.
actually that’s how we’ve chosen to describe the 2010 scarborough literature festival. our design work includes posters (copywriting too on those), flyers, bookmarks targeted at adults and kids and the festival brochure. it’s a good line-up again and this year’s main image is in the style of a pop-up book with each pop-up suggesting one or more of the authors and events in the festival – this theme follows through into the brochure. we’re particularly looking forward to the beano event – tickets are on sale now from scarborough tourist information centre.
uh oh, looks like there’s about to be some menacing on our blog. dennis is coming to town for scarborough literature festival. we’ll blog our brochure, poster [excerpt above], flyers and bookmark designs next week inbetween laying paving stones.
synchronicity – you gotta love it. whilst on a short break in liverpool this last week rebecca and i visited the tate to see the seagram murals but also took a look at this is sculpture as seen it was on having no idea what would be exhibited.
you never leave work behind, even on holiday and i’ve had wayne hemmingway’s philosophy on designers being thinkers, not just do-ers in my head since he spoke at the opening of woodend. i imagine it’s his off-the-shelf speech but it struck a chord because electric angel is becoming more multidisciplinary with each passing year and a tightly defined perception of what a designer does or what medium he/she works in is increasingly irrelevant. you’re known by what you do, not by how you describe yourself. if you can think creatively about a problem, it doesn’t really matter if the end result is to be drawn, printed or built – you can learn a new practical skill or even better, utilise another’s expertise to help realise an idea, but the ability to design is nurtured over time and through experience.
wayne had curated one of the rooms in the sculpture exhibition (hence the synchronicity), complete with disco-funk soundtrack and colour-changing dance floor. has anyone told him he’s a designer and should stick to boots? not for years. he’d done a good job at the tate and brought his trademark man-of-the-people approach to the sometimes stuffy and clichéd world of art galleries.
so wayne’s philosophy was in my head as i wandered round and had a quick boogie, not least as i knew i’d be returning to a studio where the job list includes designing maps, concrete paving and school uniforms.
and posters and leaflets of course.
[image: sketches for possible uniform styles at graham & raincliffe schools]
yep, it’s update night at the first creative coast of 2010 with news and opportunities from the north yorkshire creative network and on local projects. essential if you want to know what’s going on and how you might get developed or commissioned (courtesy of a new scheme offered by the north yorks network). rick of chrysalis arts and wendy of create will be spilling the beans. it’ll be nice to be back at the merchant too. 5.30pm. link to creative coast facebook group.
it looks our public art collaboration with rachel welford and john clarke will be installed w/c 8th february. you can see progress of the project over at www.railwayart.com
rachel and i presented the project to students on the school’s creative and media diploma at the start of the year which prompted some good questions. the students are in process of delivering a project about documenting sense of place so there was lots in common with our piece.
[note to self - must blog about the diploma soon...]
typography-art commission at york and hull medical school – part of scarborough hospital. the work was commissioned by hafney [hospital arts for north east yorkshire] responding to some specific requirements:
it’s situated in a corridor which doubles as a waiting area for people arriving for interviews with windows on each side – one looks into the library and the other into an office. the work was required to obscure the office window giving some privacy without blocking light, reference to the library would be appreciated [hence a design made of words] and a some relevance to the medical school in general. we selected words from the school’s prospectus for an initial design and then further words were suggested by the school’s staff.
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